A ceremony has five musical moments, and each asks for something different. Here is how I think about them, with pieces that work on solo piano.
Send the date, the venue and a line about the occasion. I reply personally, with a programme suggestion and a quote.
By Dr. Maria Pisarenko, DMA · concert pianist in Las Vegas · October 2026
Fifteen to thirty minutes of music while the room fills. It should be calm and luminous, never insistent: people are greeting each other, finding seats, taking photographs.
A short change of mood that tells the room the ceremony is about to begin. Something warm and steady: Bach’s Air on the G String works beautifully on the piano.
The moment everyone remembers. The classic choices are Pachelbel’s Canon in D and Wagner’s Bridal Chorus; many couples now walk to a song that is their own, arranged for piano. Whatever you choose, it is timed to the walk — a live pianist watches the aisle and lands the arrival.
A few minutes of music while the register is signed or during a unity ritual. This is the place for Ave Maria — Schubert’s, or the Bach–Gounod — or a slow Chopin nocturne.
Joy, and pace. Mendelssohn’s Wedding March is the tradition for a reason; a bright, quick piece of your own works just as well.
Film themes and popular melodies can be arranged for solo piano, and they often sound more personal on the piano than in the original. One requested piece is prepared in advance as part of every wedding I play. Tell me the song when you write, and the arrangement is ready long before the day.
Send the date and the venue and I will come back to you with a programme suggestion and a quote.