A concert pianist changes a room before anyone has said a word. I am Dr. Maria Pisarenko — Doctor of Musical Arts, prizewinner of international competitions in Paris and Rome, and a performer on stages across Russia, Europe, Asia and the United States. In Las Vegas I play weddings, corporate receptions, conventions and private celebrations, on a programme built for the evening rather than a fixed setlist.
Ceremony, cocktail hour and dinner. The processional and recessional are chosen with you, and a particular piece that matters to you can be prepared in advance. More on wedding bookings →
Receptions, client dinners, award evenings, openings and hospitality. Music that lets conversation happen rather than competing with it. More on corporate & convention bookings →
Live piano in a lounge, hospitality suite or exhibitor space — a quieter and more memorable way to hold attention on a crowded floor.
Dinners, anniversaries, engagements and drinks before a celebration. A small room is where a live instrument is felt most and where a recording is most obviously a recording — a grand piano, and light classical played at concert level while your guests talk.
Arrival music, the room before the programme begins, and interludes between speakers.
Played with restraint, and prepared carefully with the family beforehand.
Most events ask for the beautiful and the familiar — music that guests recognise without being asked to listen. A typical evening draws on:
The register is light classical — the same repertoire a concert audience knows, played for a room that is talking, dining and celebrating. The music never asks for silence. The playing is nevertheless at concert level, and that is the difference between a concert pianist and a playlist.
Chopin — nocturnes, waltzes, the Raindrop prelude
Debussy — Clair de lune, Rêverie, Arabesque
Satie — Gymnopédies and Gnossiennes
Beethoven — the Moonlight Sonata, Für Elise
Bach — Air on the G String, the Prelude in C
Pachelbel — Canon in D
Schubert & Bach–Gounod — Ave Maria
Wagner & Mendelssohn — the wedding processionals
Mozart, Schumann, Tchaikovsky — the lighter, singing pieces
Rachmaninoff — when the evening asks for something larger
Film and popular melodies — arranged for solo piano, by request
Your own request — one piece that matters, prepared in advance
Solo piano is the heart of what I offer, and for most events it is all a room needs — one instrument, played well, for as long as the evening asks.
Duo with violin or cello, accompaniment for a singer, or a small ensemble can be arranged by request, booked well in advance and priced accordingly.
An acoustic piano at the venue is required. I play the instrument that is in the room — I do not bring one, and I do not play on an electronic keyboard. If your venue has no piano, one can be hired in for the day; ask them what is in the room and tell me early, so the programme is prepared for that instrument.
I play throughout the Las Vegas valley, and I travel beyond it for the right event — travel outside the valley is quoted with the booking.
Two hours is the minimum booking. Travel and any breaks within the engagement are part of the booked time and are included in the quote.
This is a concert engagement, not background cover. The programme is prepared for your room, the playing is at concert level, and the quote reflects that.
Solo recitals and concerto appearances across Russia, Europe, Asia and the USA — including the Royal Academy of Music in London, the Paris Conservatory, the Moscow Tchaikovsky Conservatory and Santa Cecilia in Rome.
Second Prize at the International Piano Competition in Memory of Sviatoslav Richter, Paris, and at the Frédéric Chopin International Competition, Rome.
Trained at the Central Music School of the Moscow Tchaikovsky Conservatory and the Gnesins Russian Academy of Music, in the direct line of Goldenweiser, Neuhaus, Nikolayeva and Yudina.
Doctor of Musical Arts from the University of Nevada, Las Vegas. University faculty, Steinway Top Teacher, featured on Nevada Public Radio.
Grieg — Piano Concerto in A minor, Op. 16 · live with orchestra
Mozart — Piano Concerto No. 21 in C major, K. 467 · live with orchestra
Chopin — Piano Sonata No. 2 in B-flat minor, Op. 35 · live



Concert attire by default; black tie, all black, or something quieter on request.
Not a fixed set list. The music is chosen for the occasion, the size of the room and the hour of the evening, rather than played from a set list.
A piece that matters to you is prepared in advance as part of every booking — ask early and more can be planned into the programme.
Every piano is different. Tell me early which instrument is in the room, and the programme is prepared for that piano rather than adapted to it on the night.
Concert dress by default; black tie, all black, or something quieter if that is what the room calls for.
Two hours is the minimum booking. Travel, and any breaks inside the engagement, are part of the booked time and are already in the quote.
Not a roster, not a substitute sent on the night. You are booking Dr. Maria Pisarenko, and I am the person who arrives.
I play throughout the Las Vegas valley — Las Vegas, Henderson, Summerlin, Enterprise and Spring Valley — and I travel beyond it for the right event. Travel is included in the quote.
Yes — an acoustic piano at the venue is required. I play the instrument that is in the room; I do not bring one of my own, and I do not perform on an electronic keyboard. Ask your venue what they have, and if there is no piano, one can be hired in for the day. Either way, tell me early, so the programme is prepared for that particular instrument.
Two hours is the minimum booking. Travel and any breaks within the engagement are part of the booked time and are included in the quote.
That is arranged with you personally rather than sold as a fixed package. Tell me the shape of your day — when music should begin, when it should stop, and what happens in between — and I will propose the playing and the breaks around it. Breaks fall inside the booked time, so the programme runs to your schedule, not to mine.
Chopin nocturnes and waltzes, Debussy Clair de lune and Rêverie, Satie Gymnopédies, the Beethoven Moonlight first movement, Bach Air on the G String, Pachelbel Canon in D, Ave Maria, Mozart, Schumann, Tchaikovsky, Rachmaninoff, and film and popular melodies arranged for solo piano. The programme is chosen for your room and your occasion, not played from a set list.
Yes. One requested piece is prepared in advance as part of every booking. If you would like more than one, ask early and we will plan it into the programme.
Solo classical piano is the booking — that is what I do and what the programme is built around. A duo with violin or cello, accompaniment for a singer, or a small ensemble can be added by request, booked well in advance and priced accordingly, but the piano is the centre of the evening.
As early as you can. The date is held for one event only, so the earlier you write, the more likely your date is free and the more time there is to prepare a programme, and any requested piece, properly for your room.
Yes. A retainer reserves your date and takes it off the calendar for anyone else; the balance and the cancellation terms are confirmed in writing together with your quote.
Concert attire by default. Black tie, all black, or something quieter on request — tell me what the room calls for.
Every event is quoted individually, so there is no price list. To prepare a quote I need the date, the start time and how long you would like music; the venue, and whether a piano is already there; the occasion and the mood you have in mind; and any piece that must be included. This is a concert engagement, not background cover — the programme is prepared for your room, the playing is at concert level, and the quote reflects that.
Dr. Maria Pisarenko — Doctor of Musical Arts from the University of Nevada, Las Vegas, trained at the Central Music School of the Moscow Tchaikovsky Conservatory and the Gnesins Russian Academy of Music. Second Prize at the International Piano Competition in Memory of Sviatoslav Richter in Paris and at the Frédéric Chopin International Competition in Rome. University faculty in Nevada and Utah, Steinway Top Teacher, featured on Nevada Public Radio.
Send the date and the venue and I will come back to you with a programme suggestion and a quote. Dates in Las Vegas fill early in the season — the sooner you write, the more I can prepare for you.